You can even wait hours before peeling them without losing quality or colors shifting, which is especially nice if you’re on location and want to wait to peel all your film back at your dust-free studio. While I miss the color tones of some of Polaroid’s original films, like the 669 or the 690, the new Fuji films are much more forgiving with development time, and they’ll produce crisp results. As with integral film, Polaroid no longer makes peel-apart film, but Fujifilm manufactures their own more modern line. Type 100 film is the most popular peel-apart film still available: This is a film that measures 4.25 × 3.25 inches with a white border. There’s still something magical about a print that’s produced through real-world light and chemical processes. Sometimes integral film can be pegged as lo-fi, but with peel-apart film, you can get high-quality prints instantly. Using peel-apart film is a bit fussier than using integral - after pulling your picture from the camera and waiting for it to develop, you peel the paper off the print - but the format is absolutely worth it for the results you get. Peel-apart, or pack, film is actually a chronological step back from integral in the Polaroid film lineage. If you haven’t yet, make sure to read Part 1 (Integral) of this two-part beginner’s guide to Polaroid.
Come and learn a bit more about peel apart film. Phil is back with part two of this fantastic guide into the world of polaroid.
Beginner’s Guide to Polaroid: Part II (Peel-Apart Film) by Phil Shen
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